Unexploded Ordnances (UXO) by Split Britches is a new exploration of ageing, anxiety and ‘doomsday’ created through conversation and collaboration with an array of elders and artists. Developed between the UK and US, Lois Weaver and Peggy Shaw have created a unique production, combining darkly playful Dr Strangelove-inspired performance with a daring new protocol for public discussion – the Situation Room.

Find out more about UXO's creation and process on the Residencies page, or read our blog posts from New York and LA.

Lois Weaver, UXO at Skirball Centre 2017, photo by Matt Delbridge.jpeg

The stage is set with an imposing round table, echoing Strangelove's iconic War Room. A Council of Elders are selected from the audience and invited to the table, to muse on 'The Situation': be it personal, political, local or global.

Peggy Shaw takes on the character of the bombastic general (played by George C. Scott in the film) and Lois Weaver assumes the gentile and ineffectual President (played by Peter Sellars) as dramaturgical engines for the conversation and as sources of comedy performance. Split Britches recall their old favourites of Mike Nichols and Elaine May as inspirations for duets on subjects of power, communication, relationship, gender and age. A metaphor for unexplored potential, particularly in elders, UXO aims to uncover the buried resources in all of us.

The piece is laced with the sense of finite endings: the nuclear doomsday from Strangelove, relationship breakdown, our own mortalities. Countdowns are set, our phone alarms are primed to ring in 59 minutes, and the performers play with the rhythms of urgency and lethargy: acting as if our time is running out, or as though we have all the time in the world.

In the final part of the conversation, the audience at the table are asked to unfurl and read out some of our own unexploded ordnances - hidden desires written on crumpled scraps of paper, accumulated through each elders’ residency and performance (see right-hand column).

Our individual dreams, hidden wishes, are re-appropriated as creative solutions to the Situation; as a hopeful, human response to what may feel like a gloomy geopolitical landscape.

As the performers play with the rhythms of urgency and lethargy, individual dreams and hidden wishes are re-appropriated as a cumulative solution to what may feel like an uncertain political landscape. Created and developed over two years through a series of residencies with elders and artists that began at the Barbican in 2016 and continued in the US, Unexploded Ordnances (UXO) is a hopeful, whimsical, human exploration of ageing, anxiety and the end of the world.

 

Get tickets for Unexploded Ordnances (UXO) at Under the Radar festival, at La MaMa Theatre, New York in January 2018 here.  

Get tickets for Unexploded Ordnances (UXO) at the Barbican, London, in May 2018 here.

Trailer by Claire Nolan | Photography by Matt Delbridge