Unexploded Ordnances (UXO) by Split Britches is a new exploration of ageing, anxiety and ‘doomsday’ created through conversation and collaboration with an array of elders and artists. Developed between the UK and US, Lois Weaver and Peggy Shaw have created a unique production, combining darkly playful Dr Strangelove-inspired performance with a daring new protocol for public discussion – the Situation Room.
The stage is set with an imposing round table, echoing Strangelove's iconic War Room. A Council of Elders are selected from the audience and invited to the table, to muse on 'The Situation': be it personal, political, local or global.
Peggy Shaw takes on the character of the bombastic general (played by George C. Scott in the film) and Lois Weaver assumes the gentile and ineffectual President (played by Peter Sellars) as dramaturgical engines for the conversation and as sources of comedy performance. Split Britches recall their old favourites of Mike Nichols and Elaine May as inspirations for duets on subjects of power, communication, relationship, gender and age. A metaphor for unexplored potential, particularly in elders, UXO aims to uncover the buried resources in all of us.
The piece is laced with the sense of finite endings: the nuclear doomsday from Strangelove, relationship breakdown, our own mortalities. Countdowns are set, our phone alarms are primed to ring in 59 minutes, and the performers play with the rhythms of urgency and lethargy: acting as if our time is running out, or as though we have all the time in the world.
In the final part of the conversation, the audience at the table are asked to unfurl and read out some of our own unexploded ordnances - hidden desires written on crumpled scraps of paper, accumulated through each elders’ residency and performance (see right-hand column).
Our individual dreams, hidden wishes, are re-appropriated as creative solutions to the Situation; as a hopeful, human response to what may feel like a gloomy geopolitical landscape.
Trailer by Claire Nolan | Photography by Matt Delbridge