Our critical and performance writings have been featured in a number of publications. External links have been provided below for materials accessible online.
Margolin, Deb; Shaw, Peggy; Weaver, Lois. Split Britches: Lesbian Practice/Feminist Performance. Ed. Sue Ellen Case. New York: Routledge, 1996.
—–“Belle Reprieve.” Modern Drama. Ed. William Worthen. New York: Harcourt Brace College Publishers, 1995.
—–“Split Britches, The True Story.” Women & Performance: The Women and Theatre Program. New York: New York University, 1989.
Shaw, Peggy. A Menopausal Gentleman: The Solo Performances of Peggy Shaw. Ed. Jill Dolan. Michigan: University of Michigan Press, 2011.
—–“You’re Just Like My Father.” O SOLO HOMO. Ed. Holly Hughes. New York: Grove Press, 1998.
Shaw, Peggy; Weaver, Lois. “A Manifesto for Making Performance About Making Change.” Staging International Feminisms. Eds. Elaine Aston and Sue-Ellen Case. New York: Palgrave Macmillan, 2007.
Weaver, Lois. Forward. Theatre and Audience. Helen Freshwater. England: Palgrave Macmillan, 2009.
—–“Doing Time.” The Applied Theatre Reader. Eds. Tim Prentki and Shelia Preston. London: Routledge, 2008.
—–“Faith and Dancing: Mapping femininity and other natural disasters.” Mythic Women/Real Women: Plays and Performance Pieces by Women. Ed. Lizbeth Goodman. London: Faber and Faber, 2000.
—– “Performing Butch/Femme, A Practical Guide To Performance Theory.” Acts of Passion: Sexuality, Gender and Performance. Eds. Maya Chowdry and Nina Rapi. London: Haworth Press, 1998.
—–“Playing Gender In The Theatre.” The Routledge Reader in Gender and Performance. Ed. Lizbeth Goodman. New York: Routledge, 1998.