Our critical and performance writings have been featured in a number of publications. External links have been provided below for materials accessible online.   


Margolin, Deb; Shaw, Peggy; Weaver, Lois.  Split Britches: Lesbian Practice/Feminist Performance. Ed. Sue Ellen Case.  New York:  Routledge, 1996.

—–“Belle Reprieve.”  Modern Drama.  Ed. William Worthen.  New York:  Harcourt Brace College Publishers, 1995.

—–“Split Britches, The True Story.”  Women & Performance:  The Women and Theatre Program.  New York:  New York University, 1989.

Shaw, Peggy.  A Menopausal Gentleman:  The Solo Performances of Peggy Shaw.  Ed. Jill Dolan.  Michigan:  University of Michigan Press, 2011.

—–“You’re Just Like My Father.”  O SOLO HOMO.  Ed. Holly Hughes.  New York:  Grove Press, 1998.

Shaw, Peggy; Weaver, Lois. “A Manifesto for Making Performance About Making Change.”  Staging International Feminisms.  Eds. Elaine Aston and Sue-Ellen Case.  New York:  Palgrave Macmillan, 2007.

Weaver, Lois.  Forward.  Theatre and Audience.  Helen Freshwater.  England:  Palgrave Macmillan, 2009.

—–“Doing Time.”  The Applied Theatre Reader.  Eds. Tim Prentki and Shelia Preston.  London:  Routledge, 2008.

—–“Faith and Dancing: Mapping femininity and other natural disasters.” Mythic Women/Real Women: Plays and Performance Pieces by Women.  Ed. Lizbeth Goodman.  London:  Faber and Faber, 2000.

—– “Performing Butch/Femme, A Practical Guide To Performance Theory.” Acts of Passion: Sexuality, Gender and Performance.  Eds. Maya Chowdry and Nina Rapi.  London:  Haworth Press, 1998.

—–“Playing Gender In The Theatre.”  The Routledge Reader in Gender and Performance.  Ed. Lizbeth Goodman.  New York:  Routledge, 1998.